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Sebastiano del Piombo Cardinal Carondelet and his Secretary oil painting


Cardinal Carondelet and his Secretary
Painting ID::  33485
Sebastiano del Piombo
Cardinal Carondelet and his Secretary
mk86 c.1512-1515 Oil on wood 112.5x87cm Madrid,Museo Thyssen-Bornemisza

   
   
     

Sebastiano del Piombo The Martydom of St.Agatha oil painting


The Martydom of St.Agatha
Painting ID::  40318
Sebastiano del Piombo
The Martydom of St.Agatha
mk156 1520 Oil on panel 127x178cm

   
   
     

Sebastiano del Piombo Portrait of Pope Clement Vii oil painting


Portrait of Pope Clement Vii
Painting ID::  40341
Sebastiano del Piombo
Portrait of Pope Clement Vii
mk156 1526 Oil on panel

   
   
     

Sebastiano del Piombo St.John Chrysosbtom with Saints Catherine, Mary Magdalene,and lucia,and john the Evangelish,John the Baptist and Theodore oil painting


St.John Chrysosbtom with Saints Catherine, Mary Magdalene,and lucia,and john the Evangelish,John the Baptist and Theodore
Painting ID::  41196
Sebastiano del Piombo
St.John Chrysosbtom with Saints Catherine, Mary Magdalene,and lucia,and john the Evangelish,John the Baptist and Theodore
mk157 1509-11 Oil on canvas 200x165cm

   
   
     

Sebastiano del Piombo The Visitacion oil painting


The Visitacion
Painting ID::  41952
Sebastiano del Piombo
The Visitacion
mk166 c. 1521 I Wave on cloth 168x132cm Museum of the Louvre, Paris

   
   
     

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     Sebastiano del Piombo
     1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.

     Related Artists::.
     | Burne-Jones, Sir Edward Coley | bores | Benedetto Luti |


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